35 mm film
One of the trickier things to do in photography and getting right (at least it's been that way for me) is night photography. The hit to miss ratio is so much lower than in daytime photography, because you're dealing with such long exposures that things can go wrong in mid-process in countless number of ways. Yet, it's fun to do...partly because you get such unexpected results sometimes.
Read MoreAt long last I've gotten around to processing my negatives from the Scott Kelby Worldwide Photowalk in Copenhagen, Denmark on October 7th. As I wrote in my previous blog post from the day after the event it was a VERY wet affair, so I decided very soon after we arrived at the starting point to only shoot analog photos (and a few cell phone snaps here and there) since my DSLR isn't particularly weather sealed and I didn't want to risk losing it or have to send it in for repairs. So analog it was from there on!
Read MoreDuring 2017 I have shot more and more film, all on Tri-X 35 mm film and I have enjoyed getting better and better at it. I am still not at the level where I am confident that I won't accidentally get an entirely black frame on the roll here and there, but I am getting there...slowly.
I've been asked why I shoot film when there's digital available and my answer to that has several parts. I do it because it forces me to slow down and think before I shoot. It's VERY easy to snap away like a lunatic with your DSLR and ending up with 700 pictures to go through (done it many times!).
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