No photography? Sure there has been!

It's been a few weeks with no posting on this blog. I've not exactly been off the planet, but haven't had anything interesting to post either. It's been a very non-photographic few weeks for me. That actually felt nice after the onslaught that was August with all the exhibition and photo club events.

I've only taken the DSLR out a few times in the last three weeks and to be perfectly honest I've not really taken any pictures I'm happy with during those outings. That's perfectly fine though, I didn't feel my heart was in it, so the pictures weren't that exciting. It felt more like "I should bring my camera now that I'm stepping outside", rather than, "Oh I want to take photos! I should go outside!".

No trains in sight!

Still, a few cell phone snaps were taken here and there, so that's what I'm sharing here. This is an image I took a few days ago near my home on an old defunct railroad.

I have also "abused" the photo in Snapseed to make it look like an old photo that's been through the ravages of time (sort of anyway). I tend to do at least some treatment to all my images (whether it's in Lightroom for my DSLR photos or Snapseed for cell phone snapshots, although this one has been put through more steps than I usually take!

A Tall Stack Of Papers

This website is called Tomas Nilsson Foto (since I am Swedish I spell it that way), and it's obviously no secret that I enjoy photography a lot (anyone unfortunate enough not to be able to make his or her escape fast enough will probably know that ;-)).

I do however have other interests that will show up on this blog from time to time. One of these interests is writing. I feel it is time for that now that the month of August is over and the next exhibition event isn't until October.

I've enjoyed reading since I figured out that those strange squiggles could be translated into words when you put them together; according to my mother the first word I ever read on my own at the age of 5 was Tobak (tobacco in Swedish). I don't know if that was necessarily a good thing, but there ya go.

I was one of those kids who played a little bit of Dungeons and Dragons in my teens, mostly as the Dungeon Master, sending my brother and other neighborhood kids on quests here and there. It was fun, but in the end they liked doing sports more, and I found it was more fun to write than to actually play the adventures (plus I wasn't really that good a Dungeon Master).

When I was in high school my best friend at the time wrote a book, and challenged me to do the same ("you always said you wanted to write...now get to it!"), so I ended up with a ghastly poor First Novel. It's got very few redeeming features, but at least it didn't discourage me from trying it again! In the ensuing years I've written a few other things, both longer works and short stories. It's never felt like I've made something worth sending to publishers, it's always been something I've done for my own enjoyment.

In 2008 my dear friend Montie told me about National Novel Writing Month (or NaNoWriMo for short-ish) and I thought was an absolutely hair-brained idea; write a 50,000 word first draft of a novel in 30 days. That felt impossible, especially for a devout procrastinator like me. But I figured I'd give it a go, since at the time I needed a jumpstart to my writing. That ended up as "The New Leaves", a book that I think actually does have some merits, a book that I think I'll get back to soon to expand certain parts that needs something more.

Six years later I am about to do the writing challenge for the sixth time and it is still a lot of fun! I especially enjoy the group of awesome friends I've made through the write-ins and get-togethers we've had through the years, people I would never have met otherwise! What this year's book will be about? I haven't got a clue, but hopefully I'll have at least a first sentence by the time November 1 rolls in!

Here's the beast, ready to fight me all over again...

Here's the beast, ready to fight me all over again...

That being said, there's been this project of mine that's been ”on-going” for many years now, a book that I've not been able to finish, nor let go my hold of. It's currently in its...probably sixth or seventh re-write at around 135,000 words, but I still don't feel it is really there. It's an intimidating stack of papers, but it's also a nice feeling to know that I've been able to put together the story at least this far! So I am going to have a crack at it one more time in the next few months, hopefully being able to finish it at some point. If nothing else it'll be a nice warm-up for the November NaNoWriMo event!

Shooting against the light

At the Harbor Festival in Limhamn, Malmö, Sweden 2014

As photographers we're often told to make sure we don't shoot into the sun, because then you risk getting all kinds of issues with too high contrast ranges between the bright and the dark parts of the image; and if we do have the sun in the frame we risk getting flares big enough to make J.J. Abrams wince...

Sometimes though it makes for a very interesting effect, creating strong silhouettes and backlighting our subjects.

The image of the man with the water-jet thingy is an example of mine that turned out pretty good in this regard. This was not a conscious effort on my behalf to shoot silhouettes, but a product of the location where this performance took place. I couldn't shoot this any other way but against the light, and the combined glare of the sun and the reflection of that in the ocean made for a lot of light pouring into the camera. I didn't mind because it looked cool when I did a quick glance on the LCD, so I went for it.

Then I read the "Into the light" article by Lee Frost in the September '14 issue of Black+White Photography about this phenomenon (naming it contre-jour, from the French for "against the daylight")) and how it is a perfectly "legitimate" form of photography, used to great effect in dramatic landscapes, silhouette photography and other such situations. Turns out my accidental foray into this sort of photography was an example of that.

At the train station, Lund, Sweden 2014

At the train station, Lund, Sweden 2014

Then I began to look through my files for other examples of contre-jour photography, and discovered it's a technique I've used several times without even thinking about it, or giving it a name. The girl's backlit hair in this image from the Lund train station is an example of the effect, giving her a halo, while the bench they sit on is fairly dark and contrasty. The silhouette effect here is nowhere near as strong as in the waterjet photo, but it still has hints of the same thing.

It's definitely a technique I will use in the future...and now I can call it by its fancy name too...although I probably won't. :-)

August - exhibitions galore!

August turned out to be quite the busy month for me and my interest in photography. Previous years I've only done one photography event in August (Planket...or The Plank); this year however I've done three!

Pixel & Korn (Pixels & Grain)

The audience during the inauguration speech by the club chairman

The audience during the inauguration speech by the club chairman

This is the big one, my photo club exhibited the works of 37 different photographers in an old storage barn right on the southern coast of Sweden. We've gotten almost exclusively positive comments for our show, and the number of spectators are the highest we've ever had for a group show. Several of the participants have also sold a few of their works, which is great!

My six black and white prints shown at the Pixel & Korn exhibition in Smygehuk, Sweden

My six black and white prints shown at the Pixel & Korn exhibition in Smygehuk, Sweden

Linan (The Line)

My twenty black and white prints at the Linan 2014 event

My twenty black and white prints at the Linan 2014 event

This is an event where where photographers put up washing lines between steel poles along paths in a park and hang their photos from those lines with clothes pegs. Over 50 photographers had signed up via the Facebook page, so it was pretty crowded, but we somehow managed to squeeze everyone in so they could show their pictures.

I showed 20 black and white prints that I had selected for this purpose, a mixture of street photos, details and landscapes, and for the most part everyone seemed to enjoy it.

Planket (The Plank)

Two generations of Nilsson photographers, my dad's photos on the left, mine on the right

Two generations of Nilsson photographers, my dad's photos on the left, mine on the right

This was event number three and one I've done several years before. This is another one day open air event where photographers hang their photos along a 2 meter high fence of one of the parks in Malmö, Sweden. This year we had twice the area we have had the previous years, so it took a bit of thinking to pick out what to show, but in the end I went with 4 color and 4 black and white shots I've shown previously at the 2013 Culture Night in Staffanstorp, Sweden and at a local business during the spring of 2014.

So why do I participate in these events?

One simple reason: It's fun!

Okay, in more words than that: I get to show my works in public, so that visitors can get a look at what I'm capable of doing and give me feedback. It's fascinating to see which of your pictures get the most response from people; it's not always the ones that you as a photographer are the most attached to! Also I get to see what other photographers do, and get inspired by what they do. The social aspect is important too; getting to meet other people interested in the same thing as I am, very often brand new to me people.